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“Blue Velvet,” however divisive, showcased that Lynch had a fresh voice paving a new path for independent American cinema. At the time of its release, Lynch was slowly beginning to build his reputation as an auteur. There were group walkouts in the first few screenings and there are stories of people heckling the movie at Cannes, even though it ended up winning the Palme d’Or. Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work.In May 2020 we celebrated the 30th anniversary of David Lynch’s film “Wild at Heart.” It was initially released in 1990 to mixed reviews. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics.

It is also David Lynch in his most 'lynchian' mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality.

David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead').

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